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Tiree Glass

Making things that people value from 100% upcycled glass

  • home
  • Location
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Vessels for Syria

Seeing images of people fleeing in flimsy boats is sobering and moving and has a reaffirmed a feeling of how lucky I am to live in a peaceful place.

These prototype glass boats are inspired by the sense of vulnerability, but also of hope that the images stir in me. Made from a single sheet of bottle glass, the plan is to allow people to own a unique piece of sustainable art, and make a contribution towards a refugee support charity. Hopefully this will be cathartic for me, and for the people who buy them and also help to raise some funds.

"You have to understand that nobody puts their children in a boat unless the water is safer than the land." Warsan Shire,  Poet,  Author,  Immigrant.
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categories: Making Glass
Thursday 01.14.16
Posted by Frances Woodhead
Comments: 2
 

Whole House Reuse Exhibition

My work was included in the first exhibition held in the newly re-opened Canterbury Museum, Christchurch, New Zealand, featuring work of over 250 artists who recycled an entire house that was damaged beyond repair in the 2011 Christchurch earthquake. Small pieces of window glass from the house were posted to Tiree from NZ and the work based on patterns in the original lead light windows were posted back for display and auction. I used up every bit of glass they sent!

http://www.wholehousereuse.co.nz/tableware/

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categories: Making Glass
Monday 01.11.16
Posted by Frances Woodhead
 

baking at 810 degrees

Here are some new fridge magnets before and after baking at 810 degrees for 12 minutes.

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categories: Making Glass
Friday 04.17.15
Posted by Frances Woodhead
Comments: 4
 

Glass Heap Challenge - artists and rubbish collide

I had no idea what to expect when I chose to attend a ten-day long Glass Heap Challenge in Eindhoven, the Netherlands, in October 2014. But I knew I had to make the time and money to go. It was the first time I had seen glass training advertised that specialised in recycled glass.

Beeldenstorm venue for the Glass Heap Challenge 2014

Beeldenstorm venue for the Glass Heap Challenge 2014

It was Dutch Design Week - a feast of design events held every year in Eindhoven. It was a great thing being in a vibrant town after a summer on Tiree. Trains, planes and even a mini road trip back to Amsterdam via the Glass Museum in Leerdam was another treat.

The Challenge itself was a huge surprise in lots of ways. The event was advertised as a master class in recycled glass with emphasis on skill-sharing and finding new ways to work with the copious volumes of waste glass that exist, but there were differences in styles and approach of the 3 masters. There was a push for personal artistic development of participants and this felt a bit overwhelming at times.

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There were 10 participants, a great group of people with a fabulous range of skills. Product designers, architects, technicians and artists although only two of us had previous experience with glass, all were professional in their fields and wanting to explore working with waste glass. I was surprised that some of the masters were using non-recycled glass as a teaching resource. I wondered if this would limit our learning, or conflict with the aim of pushing boundaries, gathering waste material and learning from one another about the recycled resource.  But everyone taking part had brought glass for recycling and was fully up for experimentation so there was plenty of recycling, idea generation and skill-sharing going on.

The event was held at Beeldenstorm, an open access aluminum and bronze casting studio. Glass making was new to Beeldenstorm and the Glass Heap Challenge was their showcase for Dutch Design Week. These circumstances added a layer of politics to the management of the event.

I was very pleased to meet Matt Duran the founder of the Glass Heap Challenge who had a fantastic practical and inspiring approach helping us to realise what could be achieved working with recycled glass, and helping us to experiment and progress in a fun and gentle way.  Glass making can be very technique based and working in recycled glass can bring another layer of complexity.

A question was posed “why work with glass?”  Along with the assertion that the answer to this question is imperative before art making can proceed. “You have to know why you are working with glass” But my answer is only because it is there, in abundance and I love it as a material. It was all a bit terrifying but ultimately I hope that the debate and tension will be helpful to me.

I left inspired and have woken up in the mornings dreaming about form and flow in glass. I am going to make some new things……..and hope to build on the experience by being part of a community that shares information about glass upcycling.

tags: glass heap challenge
categories: Making Glass
Wednesday 02.25.15
Posted by Frances Woodhead
 

A flock of awards

Glass awards for wonderful local events. The Commonwealth Carnival in July, Tiree's first ultra marathon in September and Fasanta Oban's Festival of Textile and Fashion in October. Hand cutting the logos and lettering for the kiln carved designs is a mission but the effect is stunning. Read more about award manufacture.

Commonwealth Carnival award

Commonwealth Carnival award

Tiree Ultra is held again in September 2015

Tiree Ultra is held again in September 2015

Fasanta is Gaelic for stylish

Fasanta is Gaelic for stylish

Carnival winners

Carnival winners

categories: Making Glass
Tuesday 12.09.14
Posted by Frances Woodhead
 

Pitch for the Wildlife Photographer of the Year

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Earlier in the summer I had a go at some trophies and a medal in response to a brief for the Wildlife Photographer of the Year using kiln carving based on beautiful designs by Alfred Waterhouse’s original terracotta tiles at the Natural History Museum.

Award prototype

Award prototype

Waterhouse sketch for terracotta tiles

Waterhouse sketch for terracotta tiles

Trophy prototype

Trophy prototype

categories: Making Glass
Tuesday 12.09.14
Posted by Frances Woodhead
 

Iron Age School Tiles

A mural of 160 glass tiles made with the help of Neve, Kara, Daisy, Calen, Calum, Marshall, Rowan, Rory, Finn, Ryan, Logan, Fraser and Martin at Tiree Primary School commissioned by Kilmartin Museum. We looked at patterns on pottery made by people living on Tiree about 2,000 years ago. We also made a skyline of other islands seen from Tiree, a view unchanged from when the people that made the pots lived here on Tiree.

Mural detail

Mural detail

Mural located at the entrance to the school

Mural located at the entrance to the school

categories: Making Glass
Monday 12.08.14
Posted by Frances Woodhead
Comments: 1
 

Salmon Platter

Kiln-carved platter for Scottish Salmon went to a seafood show in Brussels and then got won by this man!  

Tiree Glass platter with Anton Immink

Tiree Glass platter with Anton Immink

10 mm 100% recycled glass kiln-carved platter

10 mm 100% recycled glass kiln-carved platter

salmon brochure
salmon brochure
categories: Making Glass
Tuesday 11.04.14
Posted by Frances Woodhead
Comments: 1
 

Whole House Reuse

This project recycled one whole house. Inspired by the earthquake in Christchurch, New Zealand in 2010 which resulted in at least 10,000 homes being demolished and many materials suitable for reclamation being wasted. Every item from the house was cataloged and artists could apply for materials to make work.  I have been sent some pieces of window glass! Working with this glass has given me a sense of the specialness of an ‘ordinary’ piece of waste glass. Sometimes the amount of glass available to work with is overwhelming.

Whist this abundance definitely drives and loosens my style. The preciousness of the small amount of glass from Christchurch has been a lovely change of emphasis.

The work has now returned to NZ to become part of an exhibition in Canterbury Museum to be held in June 2015. The kiln carved patterns on the bowls echo the lead-light designs in the original house windows.

http://www.wholehousereuse.co.nz/

Small pieces of glass arrived from the earthquake damaged house in Christchurch for transformation

Small pieces of glass arrived from the earthquake damaged house in Christchurch for transformation

Kiln-carved design based on detail of the rimu doors in the original house

Kiln-carved design based on detail of the rimu doors in the original house

Fused and slumped and kiln carved bowls featuring detailing of original house stained glass

Fused and slumped and kiln carved bowls featuring detailing of original house stained glass

categories: Making Glass
Tuesday 11.04.14
Posted by Frances Woodhead
Comments: 1
 

Mould experiments

Tin snips cut the mesh easily

Tin snips cut the mesh easily

Have been experimenting with slumping moulds using stainless steel mesh which can easily be cut with tin snips and then shaped by hand. I used thin fire paper as a release and it allowed the texture of the mesh to show though on the slumped piece which I liked.

Before slumping

Before slumping

After

After

categories: Making Glass
Tuesday 11.04.14
Posted by Frances Woodhead
 

Filling the kiln

I love filling my kiln. The freshly batwashed kiln shelves are my blank canvas. Anything is possible. And then the painstaking slog begins with sporadic flashes of inspiration.  Lots of bombay sapphire bottle glass this time for a couple of mirror frames for the gallery and some swirly things from the big 4mm float window glass from a Tiree house renovation.

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categories: Making Glass
Monday 09.23.13
Posted by Frances Woodhead
 

Choppy

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categories: Making Glass
Monday 09.23.13
Posted by Frances Woodhead
Comments: 1
 

Frances Woodhead Tiree Glass Ceosabh Balinoe Isle of Tiree PA77 6TZ
Telephone 07775 354789 info@tireeglass.co.uk